Sayuri Ichida's Slow Photography: A 150-Year-Old Etching Process (2026)

Sayuri Ichida's exhibition, Playing the Piano Upstairs, is a captivating exploration of a photographer's relationship with her sister, offering a unique perspective on grief and sisterhood. Ichida's decision to use a 150-year-old etching process, photopolymer photogravure, adds a layer of depth and intrigue to the series. This technique, though slow and physically demanding, allows for a connection to the past and a unique approach to memory and representation.

In an era dominated by instant smartphone photography and AI-generated images, Ichida's choice to work with photogravure is particularly intriguing. It highlights the value of slow, deliberate processes in photography, challenging the notion that speed and convenience are the only ways to create impactful images. By embracing a method that requires patience and a willingness to wait for the right conditions, Ichida creates compositions that emphasize negative space and reflections, capturing the essence of her subject with a quiet, almost ethereal quality.

The exhibition invites viewers to reflect on the importance of process in photography. Ichida's technique is not merely a decorative element but an integral part of the narrative. It prompts photographers to consider the potential benefits of slower workflows and the impact on the final result. While the commercial reality often demands speed, Ichida's work encourages a reevaluation of priorities, suggesting that a more deliberate approach might enhance the client or customer experience.

Ichida's use of photogravure as a visual metaphor for memory is a powerful commentary on the nature of remembrance. The process itself, with its layers of archival pigments and hand-inking, mirrors the mutable and obscured nature of memory. Just as the snowscapes in her photographs glow softly beneath the surface, the photogravure technique adds a subtle, enduring quality to the images, inviting viewers to contemplate the depth and complexity of both memory and artistic expression.

Playing the Piano Upstairs is a thought-provoking exhibition that showcases the power of embracing tradition and process in photography. Ichida's work challenges the notion that technology and speed are the only means to create meaningful images, offering a reminder that the deliberate and the slow can be both captivating and impactful.

Sayuri Ichida's Slow Photography: A 150-Year-Old Etching Process (2026)

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